Like a mother, Victor brings new life into the world, technically making him the father of the creature. The fact that Victor describes the creature as,
“Something Dante could not have conceived”, suggest that he’s had high-standard education, with Dante being an Italian poet. However, disgusted and scared, he runs away from his “son”, illustrating the event of when a mother aborts her child. This is when the idea of the creature being a doppelganger comes into the picture; when Victor and others neglect this “child”, the creature learns that while possessing such looks, no one will accept him. He alternates personalities by killing and threatening, all due to the emotional pain he endures from people’s disdain; he is regressing, just like his father. On the other hand, his father is overcome by joy and eagerness to be able to stop death, despite the fact that it is dangerous. This can be considered as the son inheriting the father personalities, they both have villainous character within them but they are both doing it for the good; for example, Victor wanting to protect his family from the creature and wanting to stop death, and the creature only wanting to have someone with the same appearance to stop all the resentment thrown at him. This chapter also enhance the regression of Victor at the time of Elizabeth’s reanimation. At first he describes the event to be a “catastrophe”, a “wretch”, but the time comes when his grief over Elizabeth’s death conceals the danger of his previous creation, forcing him to recreate her life. On that account, this makes it Romantic act, as this shows that his emotions are more powerful and more important than the analytical side of things. To add to that Romantic part of the novel, in chapter 5, Victor starts to reminisce over nature, as if using it to hide away from his ”toils”. He claims to:
“...remember the first time I became capable of observing outward objects...perceived that the fallen leaves had disappeared and the young buds shooting from trees...”
As well as suggesting the Romanticism in childhood, Victor shows the power of the beauty of nature and how this heals his emotional troubles. Again, the use of character falls down to consequences, that one event always leads to another. It is the father and son connection that gives the reader the horror that there is no “hero” in the story; both Frankenstein and the creature have done terrible deeds that leads to even more terrible results, and, as I mentioned, there is no one who can stop this from happening.